¸ÇÀ§·Î

°¶·¯¸®11

Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 194X112cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 194X112cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 194X112cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 194X112cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 162X130cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 112X194cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 117X91cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 112X194cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 117X91cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 91X73cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 73X61cm, 2015 Acrylic on Canvas, ÄÜÅ×, ¼®È¸, 46X36cm, 2015

[ÀÛ°¡¾à·Â] 

 

·ùÁØÈ­ (Ryu Junhwa)

 

1963. ¾Èµ¿ Ãâ»ý

1986. °æºÏ´ëÇб³ ¿¹¼ú´ëÇÐ ¹Ì¼úÇаú Á¹¾÷
1989. È«ÀÍ´ëÇпø ¹Ì¼ú´ëÇÐ ¼­¾çÈ­°ú ¼®»ç°úÁ¤ À̼ö(Á¹¾÷³í¹®: ‘µð¿¡°í¸®º£¶óÀÇ º®È­¹Ì¼ú¿¬±¸’)
 

°³ÀÎÀü

 

2015 '¹Ù´Ù·Î °¡´Â °­' ÀÚÇϹ̼ú°ü, ¼­¿ï

2013 'Flower of Mother Earth', Äڳʰ¶·¯¸®, ¼­¿ï

2012 '´ëÁöÀÇ ²É', °üÈÆ°¶·¯¸®, ¼­¿ï

2012 '´ëÁöÀÇ ²É', °ñµç¿¡ÀÌÁö, ¼­¿ï

2011 'spring', gallery b'one, ¼­¿ï

2009 'µû¶æÇÑ °­', °¡³ª¾ÆÆ®¼¾ÅÍ, ¼­¿ï

2008 '¼Ò³à¾ßÈ­', ÇаíÀç¾ÆÆ®¼¾ÅÍ, ¼­¿ï

2007 '»õ°¡µÈ ¼Ò³à', Ä¿¹Â´ÏƼ½ºÆäÀ̽º ¸®Æ®¸Ó½º, ¾È»ê

2002 '¹Ù¶÷¾Õ¿¡ ¼± ¼Ò³à', ¼­È£¹Ì¼ú°ü, ¾çÆò

2001 '±×³àÀÇ Ä§¹¬', Àλç¹Ì¼ú°ø°£, ¼­¿ï

2001 '±×³àÀÇ Ä§¹¬', öÇи¶´ç ´ÀƼ³ª¹«, ¼­¿ï

1992 ÇѼ±°¶·¯¸®, ¼­¿ï

1988 À±°¶·¯¸®, ¼­¿ï

1988 µ«°¶·¯¸®, ´ë±¸

 

´ÜüÀü ¹× ±âȹÀü

 

2014 

‘Flowering’Yeh-in gallery, Melbourne,Australia 
Through the eyes of the mother, Korean Cultural Center, Chicago
2013 

‘½ÅÈ­¿Í Àü¼³-ÀÒ¾î¹ö¸° ¼¼°è·ÎÀÇ ¿©Çà’, ¾Æ¶÷¹Ì¼ú°ü, °í¾ç 
Art Smart ,Island Shangri-La, Hong Kong
2012 

‘women+body’, ÇÑÀü¾ÆÆ®¼¾Å¸(¼­¿ï), ºû°íÀ»½Ã¹Î¹®È­È¸°ü(±¤ÁÖ) 
‘Ost trifft fernost’, atelierhof werenzhain,German 
‘ÀλýÀÌ¿© °í¸¶¿ö¿ä’, ´ëÀü½Ã¸³¹Ì¼ú°ü âÀÛ¼¾Å¸, ´ëÀü 
‘Blooming Art’, ·Ôµ¥°¶·¯¸®, ´ëÀü 
Çѱ¹Çö´ëÇü»óȸȭ2012, °üÈÆ°¶·¯¸®, ¼­¿ï
2011

±×¸®°í, ´Ù½Ã, ¼­È£¹Ì¼ú°ü, ¾çÆò 
±¹Á¦¾ÆÆ®Æä¾î, ÄÚ¿¢½º, ¼­¿ï 
21¼¼±â Çѱ¹ ¸®¾ó¸®Áò Ưº°Àü-´ëÁöÀÇ ²Þ, Àλç¾ÆÆ®¼¾ÅÍ, ¼­¿ï 
Çѱ¹Çö´ëÇü»óȸȭ2011, °üÈÆ°¶·¯¸®, ¼­¿ï 
A4»ç°­ Art for Sagang ÞãË°, ÞÌË°, ÞÝË°, °æÈñ´ë¹Ì¼ú°ü 
°íÇâÀÇ º½À» ±×¸®´Â ¼Ò³â, ±¹¸³¾î¸°ÀÌû¼Ò³âµµ¼­°ü, ¼­¿ï 
10ÀÎ ¿­Àü Çö´ë¹éÈ­Á¡ °¶·¯¸® H, ¼­¿ï 
STOP¼º¸Å¸Å¿µ»óÁ¦ Æ÷½ºÅÍ
2010  

‘¿öÅ·, ¸¾¸¶¹Ì¾Æ’, ¿©¼º»çÀü½Ã°ü, ¼­¿ï 
‘¾ÆÆ®·Îµå77-11ÀÎÀÇ ¹ß°ß’Àü, ¸®¿£¹Ú°¶·¯¸®, ÇìÀ̸® 
‘´Éµ¿Àû ÁøÈ­’, °¶·¯¸® Æû, ºÎ»ê 
‘¿Õ¸ªÀÇ Àü¼³’Àü, ¾Æ¶÷¹Ì¼ú°ü, °í¾ç
2009 

‘¹Ù¶óº¸´Ù’Àü, ¿£°Ö·¯¸®, ¼º³² 
µ¿¹é¾ð´öÀ» ³ë´Ò´Ù Àü, °Ö·¯¸® Ä«¸á¸®¾Æ, ¼­±ÍÆ÷ 
Spring of Life, ½Å¼¼°è¹Ì¼ú°ü, ¼­¿ï, ±¤ÁÖ
Mimic the egoÀü, °æºÏ´ë¹Ì¼ú°ü, ´ë±¸ 
Á¤ÅÂÃá, ¹ÚÀº¿ÁÆ®¸®ºäƼ, °æÇâ°¶·¯¸®, ¼­¿ï 
È­¶û¹Ì¼úÁ¦, BEXCO, ºÎ»ê
2008

‘°Å¿ï¾Æ, °Å¿ï¾Æ-±×¸² ¼Ó »ç¶÷µéÀ̾߱â’, ±¹¸³Çö´ë¹Ì¼ú°ü, °úõ 
‘¾ð´Ï°¡ µ¹¾Æ¿Ô´Ù’, °æ±âµµ¹Ì¼ú°ü, ¾È»ê 
THE chART, °¡³ª¾ÆÆ®¼¾Å¸, ¼­¿ï 
The offering table, Mills College Art Museum, Oakland, California 
The offering table, Pacific Asia Museum, Pasadena,CA

 

 

ÀÛÇ°¼ÒÀå

 

¼­¿ï½Ã¸³¹Ì¼ú°ü

¹Ì¼úÀºÇà

°æ±âµµ¹Ì¼ú°ü

¾çÆò±º¸³¹Ì¼ú°ü

Ä«¸á¸®¾Æ Èú

ÀüÀï°ú ¿©¼ºÀαǹڹ°°ü

 

 

 

 

.

¸ñ·Ï ÀÌÀü ´ÙÀ½